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Back of the book:
Each month, since Feb of 2006, I start a playlist in my iTunes of the tunes that catch my ear that month. I started off writing a post to my Mog page with a short review or comments of each track, not only to keep a running diary for myself, but also to hopefully point others toward these tunes. In the last several months I have started to cross post this information on other sites where I keep blogs. (If you are reading this somewhere besides Mog, you can find all the old ones at www.mog.com/iren) I want to apologies for any weird formatting stuff right here and now, I type this in MS word and then post it on these various message places, some of which have…w ell formatting issues….
Anyway for this month here is what caught my ear…
Midnight Angels
Darling Darling
In the Sign of the Octopus
By The Hellacopters
http://www.hellacopters.com
I started November in Sweden where I had been to see a couple of the final Hellacopters shows, so it should be no shock that three of the tracks from their last album made it onto this list. They all jumped out at me for some reason at the start of the month. I know that I have already written about In the Sign of the Octopus, so let just say all of these tracks are great and add the Hellacopters own words about each of these tunes (from their site)
MIDNIGHT ANGELS – originally performed by The Peepshows
From Örebro, Sweden, this band put out some rocking albums on Burning Heart Records before calling it quits some time ago. This song is off their last full length "Refuge For Degenerates", which is also their best. When I first heard it I was blown away – it felt as if I forgot to write the song myself. (Nicke)
www.burningheart.com/peepshows
DARLING DARLING – originally performed by The Royal Cream
The core of The Royal Cream is The Sewergrooves' Kurt & Mattias Värmby (of F.O.F. & Dom Där & Hux Flux fame). The tune has been released in two versions, as a 7” single (2000) and as a different album version on "Death Is Not A Destination – It's A State Of Mind" (Big Bongo Records 2005). I've stood in on bass on occasion with these guys and consider them to be one of the top acts around town. (Kenny)
IN THE SIGN OF THE OCTOPUS – originally performed by The Robots
Together with bands like The Turpentines, Kids Are Sick and "Demons", The Robots were one of Stockholms' younger bands kicking around as The Hellacopters got started. All these bands did shows together & provided a sense of inspiration & healthy competition in those early days. The song is to be found on their excellent 2004 album "The Robots Are Everywhere" (Idle Hands Records).
Outlaw Shit by Waylon And The 357's
http://www.waylon.com/
If you saw my post from earlier in the month you know that I have already called this as the song of the year, really from 10 years ago, but it still holds up today… anyway, this is what it is all about, a voice, passion, the truth, and reflection. Waylon has for a couple of years been one of my all time favorite artists, right up there with his running buddy Johnny Cash. If you are one of those people who think country music isn’t for them, you really owe it to your self to check out some of Waylon’s 70s out put, and the excellent new release this tune came from is another great place to start.
Texas Rangers by Dave Alvin
http://www.davealvin.net
From the Blasters and side X, Dave Alvin has added his name onto the list of LA punkers who have gravitated towards county/roots music. This is from his recent album of public domain songs, and is a cowboy story song much like those found on Marty Robbins classic Gunfighter Ballads & Trail Songs
Get Out by The Incubators
http://www.myspace.com/thetiptoppers
One of the things that I found out about when I was in Sweden was the newest issue of Carbon 14 Magazine (http://www.c14.com/) which has a comp CD of Nordic bands. There were tunes from a lot of bands on it, some, which I already knew of, The Hellacopters, The Robots, and the Nomads. I heard the song by the Incubators and for some reason the voice sounded really familiar. I knew that I had heard it somewhere before, and after a day or two it hit me… it’s the singer from the Tip Toppers, a great power pop/punk group from Norway. I confirmed my suspicions when I noted that the Tip Toppers Myspace page was the listed contact for the Incubators. Really what I like about the song is that it’s punchy, energy filled, and has that Judas Priest ‘Breaking the Law’ swagger.
Riverview Restaurant by The Clichés
I’m going to call this an honorable mention, because it’s not in my iTunes, but it’s a tune that has been rattling around in my skull since I heard it at the Scorgies reunion show I attended the last week before thanksgiving. It’s a simple punk tune, a good old fashion rock song with a rough charm to it.
Thoughts, comments, spare change.
Lucky at Cards
Lawrence Block
A Hard Case Crime Novel
Lucky at Cards is the 3rd Hard Case Crime Book by Block that I have read so far, and like the others (A Diet Of Treacle and Grifter's Game) this book was a fast paced read that follows the adventures of people on the margin of what I like to call the G.I. life, which is to say a ‘normal’ life. In this case the main man on the margin is Bill Maynard, a former magician and current card mechanic. He has just been caught cheating in Chicago and finds himself in a new and unmanned town, where he is invited to a card game and falls in with a couple of guys from the upper middle/ lower upper class set. They take a liking to Bill and help him set up with a straight job, a girl, and the promise of that G.I. life….. only they don’t know about his grifter past, and his lack of comfort with the straight world.
I enjoyed the book, and am looking forward to the other Lawrence Block Hard Case entry, The Girl With The Long Green Heart (currently sitting on my nightstand)… and I wonder, like the other three will it have the same theme. Over and over though Lucky at cards I was reminded of Block’s other books, and the thread that flows though all of them seems to be exploring the lives of people who are on the margins of the society, who all seem to know that they are on those margins, and all seem to know that they don’t really fit in either world…. And it’s freedom that seems to drive the protagonists of his books, and finding that freedom in many places, drugs, on the road, having lots and lots of money… and then there is the question of the price of that freedom… the rootlessness, the acts committed to get that money.. and of course the toll that drugs take.
Highly recommended.
Each month, since Feb of 2006, I start a playlist in my iTunes of the tunes that catch my ear that month. I started off writing a post to my Mog page with a short review or comments of each track, not only to keep a running diary for myself, but also to hopefully point others toward these tunes. In the last several months I have started to cross post this information on other sites where I keep blogs. (If you are reading this somewhere besides Mog, you can find all the old ones at www.mog.com/iren) I want to apologies for any weird formatting stuff right here and now, I type this in MS word and then post it on these various message places, some of which have…w ell formatting issues….
Anyway for this month here is what caught my ear…
Kill The Poor by Dead Kennedys
No links, no nonsense… just pure impact… this one is for you The US government, and the legacy of the last two presidents… 700 Billion Dollars.. it’s almost like Dr. Evil is on the horn, or maybe Dr. Strangelove, maybe I should have busted out the R.E.M. End of the World as well this month… also see Holiday in Cambodia.
Academy Fight Song by Mission Of Burma
www.missionofburma.com
I have to admit that I haven’t ever been as big a fan of the so called Post-punk sound as others, but there is something about this tune, it’s got a bit of ringing, a bit of a shine, and of course the Military marching feel to it.
She Goes Out With Everybody by The Spongetones
http://www.myspace.com/spongetones
Speaking of ringing chimy stuff, you can’t get much better than the power pop shimmy of this tune. It’s just a great rousing pop blast that’s worth repeating over and over… ok not over and over, but enough times to make one of my monthly play lists. This tune is from the Children of Nuggets box set, which covers the 80s for the most part
Ominous Presence (Live) by New Math
www.myspace.com/newmath1979
and as long and we are talking about stuff I dig from the 80’s here is a great live tune by my secret forgotten band New Math. This mostly made the list because New Math bass player Gary Trainer called to tell me they were going to do a reunion gig in November, and wanted to let me know that my brother Stefan and I needed to be there… and we are going to try and make it out there… more info for any of you up state New Yorkers at http://scorgies.blogspot.com/
South of Hideous by Forbidden Dimension
http://www.myspace.com/forbiddendimension
It’s that Halloween time of year and so of course there is a FD tune lodged in my brain and this time around it’s this one… all that distortion, all that stun and fuzz, the strut of it all… love it.
Thoughts, comments, spare change.
The Pusher by Ed McBain
A Novel of the 87th Precinct
Grifter’s Game by Lawrence Block
A Hard Case Crime
It’s all a con, at least that’s what David Mamet seems to always be on about… and that’s the story of this fast paced page turner from the golden age of pulp… or maybe the end of the golden age of pulp. It’s your basic story about boy is playing the wrong side of the track and meets a girl, who appears to be everything that he wants out of life… and he seems to be everything she wants… only she’d married and her husband has to go bye-bye so they can make off with his money. That’s the basic set up, and it’s a well worn Noir path… but what really set’s this book apart is the end, it’s not the ending that you would expect from this kind of story, maybe it’s that it was from ’61, and it was reflecting the end of the 50’s era, and the entrance into a new era, maybe it’s that Block could see where things were going and was on the cutting edge of where not only crime but social decay was starting.
I should give a few words about Block here. I haven’t read any of this stuff for years, but he has an energy, a style and the occasional turn of a phrase that has made him one of the modern grand masters of the crime novel. He has that page turning energy, and the first half of this book flew by like a great Hi Energy Garage Punk tune. There is also a slower side to his writing, and in several places he talks about the hypnotic effects of things, the pulse of the waves, the blur of a motion picture, and in some ways his writing has that effect, it draws the reader in and holds them long enough to get what it needs from them, it’s like the Grifter’s Game, it takes you along on this journey and keeps you coming back for more…. And soon enough I will be back, as I have two more of his Hard Case Crime entries sitting on my bedside table.
A Hard Case Crime Novel
Making my way thought the Hard Case Crime entries so far has had one big lesson for me, and that is that I understand so much more clearly the underlying message of these stories, and their impetus, and that’s the level of distrust of others that really came to the fore in the post WWII era. Now I am sure that it was there before, what with the history of swindlers, shysters, thieves, and politicians who were on the con, but it feels to me like the major social fall out of the war was that you really didn’t know who to trust.
The story is pretty simple, a Navy Reserve Lieutenant is on his way to report for duty, he’s not looking forward to his having been called back, mostly because he is suffering from Post traumatic Stress Disorder, and when he is picked up hitch hiking to his duty station and kidnapped, he finds himself with what might be an out. He awakes to find himself weakened and playing a role in the plans of a groups of Reds who are under the watch of the feds. Now, this isn’t always the clearest, but that works, as our Lieutenant is in and out of it due to his injuries, and it takes him and the reader a while to figure out what has happened, who he can trust and how to get out of the situation.
The things that I liked most in this book were the little things, the fact that so many people had issues with the nick names they were given, as if they were saying to each other, don’t distill me to just this one little thing, this name that paints me as a child, a hair color, or a profession. I also enjoyed the fact that the book took place in a limited space, just like our hero, was trapped in his head, and in his body that wasn’t always respond ding the way he would have wanted.
Yes he book isn’t big on action, and it’s kind of a twisted puzzle of a story, but it never drags, and it’s a quick enough read. I am not really sure how this fits into the Hard Case Crime world, but hey they must have had a reason to republish it. I have to admit that I have never read any of Hamilton’s other books, he is most famous for writing the Matt Helm spy novels in the 60’s, and I do have a couple of his Westerns lurking around.
Over all this was a solid (and I need to find a new word to describe an acceptable, or slightly more than acceptable book) entry in the Hard Case Line.
Each month, since Feb of 2006, I start a playlist in my iTunes of the tunes that catch my ear that month. I started off writing a post to my Mog page with a short review or comments of each track, not only to keep a running diary for myself, but also to hopefully point others toward these tunes. In the last several months I have started to cross post this information on other sites where I keep blogs. (If you are reading this somewhere besides Mog, you can find all the old ones at www.mog.com/iren) I want to apologies for any weird formatting stuff right here and now, I type this in MS word and then post it on these various message places, some of which have…w ell formatting issues….
Anyway for this month here is what caught my ear…
Black Tears by Miss Derringer
http://www.myspace.com/missderringer
http://www.missderringer.com/splash.html
I think that what I really like about this song is that it have more than just a hint of the Shangri-la’s in the vocals. It’s got that bit of a march, and some very soulful female vocals.
Wolves and Werewolves by The Pack A.D.
http://www.thepackafterdeath.com/
I haven’t really been a big fan of the modern electric indierock blues sound, the white strips, and their ilk mostly leave me bored… but for some reason this version of that sound works better for me, it’s kinda in that Black Keys territory sound wise, only with female vocals. I think this tune works for me because of it’s changing tempo and mood though out the song. It also has a bit of a wail to it, and it, it, it… just feels like watching the timber line from the porch of the cabin at sunset on an August night.
Agent Song by Miss Monster Club
www.missmonsterclub.com
http://www.myspace.com/missmonsterclub
With Thee Ultra Bimboos and The Patsy Walkers history at this point, Miss Monster Club might well be the last remaining of the all women garage bands from Finland. Musically this is that echoy, chanted garage rock with an infusion of surf and hot rod sound. It’s got the breathy vocals, and that haunting feel of a damaged engine rolling down the highway.
Thoughts, comments, spare change.